aegworldwide
Ontario Reign - Camera Operator (Part-Time)
At a Glance
- Location
- Ontario, California, United States
- Experience
- 2–4 years
- Posted
- 2026-06-30T16:50:18-04:00
Requirements
Past experience working on a live-sports production is preferred, particularly experience shooting with DSLR's and HD/live streaming camcorders
Compensation & Benefits
AEG reserves the right to change or modify the employee’s job description whether orally or in writing, at any time during the employment relationship. AEG may require an employee to perform duties outside their normal description.
AEG's policy is to hire the most qualified applicants, and we comply with all applicable federal, state and local employment laws in making hiring and employee decisions. We are an equal opportunity employer and do not discriminate against applicants or employees on the basis of race, color, marital status, disability, religion, age, sex, sexual orientation, national origin, genetic information, veteran status, or any other legally protected status recognized by applicable federal, state or local law.
Responsibilities
All Game Day Camera Operators will be a part of the Reign’s AHLTV broadcast team, through filming live game action, as well as the Reign’s overall content creation team.
Footage from Camera Operators will be used live on the Reign’s AHLTV broadcast, as well as in postgame highlight packages and other Ontario Reign video segments and marketing materials, including those featured on social media, ontarioreign.com and other affiliated outlets.
Camera operators must be able to creatively frame and capture live action, take direction from the production director and seamlessly transition between different shots to create a high-quality, professional online broadcast
Responsible for filming live game action from both tight and wide camera roles, detailed player shots, crowd shots and any other footage as directed by the Production Director
Troubleshooting - resolve technical or practical issues as they arise, such as shot focus, shot framing, shot impairment, camera malfunction, or other, on- the-go issues that may arise during a live production, plus an ability to take direction on correcting these issues on the fly
Equipment preparation/maintenance - prepare cameras and test angles or camera movements and ability to test, clean and maintain camera equipment, under the supervision of the production director